Bethany Retreat House is a spiritual retreat in Dickson, Tennessee that is operated by the Dominican Sisters of Nashville. It is routinely booked months in advance by religious groups, schools, and other community organizations. A multi-year project to upgrade and expand Bethany Retreat House’s modest campus is now complete with the construction of a dedicated chapel. Its stunning architecture complements the surrounding nature with earthy exposed wood and lots of natural light, and it can comfortably seat up to 150 people. Audio-video integration firm Southeastern Sound Inc. (of Nashville) designed and installed a robust, high-fidelity sound reinforcement system using Ashly Audio modular Protea™ processing, multi-channel amplification, and (critically) super-simple fader-style user control that is easy for anyone to operate with confidence.
“We were involved from day one,” said Brian Cook, senior audio designer at Southeastern Sound. “We worked with the architect, David J. Baird of Building Ideas, LLC, and everyone involved agreed that the clean, beautiful aesthetic of the chapel was of primary importance. That said, they worked with us to optimize loudspeaker placement.
“Ashly Protea™ DSP is flexible and powerful, and all of Ashly’s audio paths are transparent” said Brian Cook, senior audio designer at Southeastern Sound. “Simple user control was also very important because we had to be sure that anyone at all could turn individual microphones up or down.”
Those microphones reside at the lectern, the podium, the presider’s chair, and the reader’s stand, and a bank of eight microphone inputs sits near the choir area. In addition, Cook placed the chapel’s electronic organ on its own input. Senior Technician, Rick Redfern configured the modular input/output count of an Ashly ne24.24M digital matrix processor to handle sixteen inputs and deliver eight separate outputs. All of the ne24.24M’s processing is customized to provide natural, intelligible speech. A four-channel 150W Ashly SRA-4150 provides power to a Tannoy loudspeaker system that is divided into front, middle, and rear zones. The processor delays those signals appropriately so that all sound appears to originate from the front of the room. An Ashly TM-335 public address 35W three-input mixer/amplifier powers a handful of 70-volt loudspeakers.
“We chose Ashly Audio for all of the processing, amplification, and user control because we’ve had years of great experience with Ashly. Their gear always works out of the box, and we can always count on continuous performance year-after-year.”
Two Ashly FR-8 wall-mounted network remote control fader banks provide all of the user control that is wanted or needed. “We set the output volume at an appropriate level, and the Ashly faders are custom configured to control the volumes of each individual input,” said Cook. “It’s so simple. If they want a particular microphone to be louder, they push its fader up. If they want a particular microphone to be quieter, they push its fader down. It really couldn’t be any easier than that!”