The digiMIX18 is the only direct rack-mount replacement for venerable 16-channel analog mixers such as the Mackie® CR1604-VLZ, Soundcraft® Signature 16, Yamaha® MG16 or Allen & Heath® MixWizard™ 16. Light and portable, the digiMIX18 is easy to transport or store away.
It’s equipped with Ashly’s renowned Class-A mic pre’s, to handle the most intense live inputs and screaming vocalists.
With 18×8 AUX channels and 6x DCA fader groups, you have the flexibility to accommodate instruments, voices and signals from various sources.
EZ-Mode for the non-technical user makes this mixer perfect for fixed installations for use by persons with no audio experience. Programmers can password-protect a very simple control interface that clients can easily understand and operate. A 7″ Touchscreen adds depth to control when Combined with the Live Control Surface, you can use the touchscreen to navigate sub menus and toggle to various settings quickly and intuitively.
The digiMIX18 is the only live digital mixing solution in it’s price range that doesn’t rely on WiFi to mix!
The digiMIX series of digital mixers give you complete control over your performance space. Whether you’re mixing live bands, a high school musical, a worship service, or recording in a project studio―there are many applications where digiMIX feels right at home.
A usable interface means you don’t have to compromise.
The Live Control Surface allows optimum control with real knobs and a live fader when selecting important functions. Simply select any channel to assign the fader to an individual channel and the intelligent meter bridge will not only display signal levels, but also all fader positions.
Use the 7″ LCD touchscreen to navigate sub menus and toggle to various settings quickly and intuitively. Together, its the ideal mixing experience.
Physical controls paired with touchscreen versatility is the best of both worlds.
Use the free Ashly digiMIX iPad® App for remote control or for live performance or in a venue for fixed installation.
Take advantage of EZ-Mode for users with no technical experience. Programmers can password-protect a very simple control interface that clients can easily understand and operate.
Add a Dante® for network audio capability, or a USB option for multi-track recording.
Use digiMIX as a command center to integrate throughout an entire venue or facility. Add an optional Dante® module to transmit and receive Dante® network audio. Assign one or more channels of network audio to receive and integrate audio with any endpoint in the system.
With a USB option interface, process 24-bit audio for recording with a computer.
■ 18 total inputs / 12 total output buses
■ Desktop mixer or rack-mountable (rack rails included)
■ Optional, Dante® and USB digital I/O cards available with up to 30 digital outputs and 18 digital inputs
■ Precision Alps® motorized 100mm fader
■ 7″ color LCD capacitive touchscreen for graphical viewing, assign, and setup
■ 16 discrete Class A microphone preamps with dedicated trim controls, +48V phantom power, phase invert
■ Mute, Solo / Solo Clear, PFL, Stereo link, EQ Flat, Bypass and Sends mixer/routing edit and view
■ Free iPad® App for remote control, available in Apple App Store, (same GUI as the digiMIX LCD screen)
■ EZ-Mode for secure, simplified touchscreen or iPad® control allows intuitive, safe, easy operation for the non-technical user, convenience and efficiency for the advanced user
■ CrossFade mode for dedicated AV-related applications, creative performance and presentations
■ Save / Load: Scene / DSP Channel, Multi-Effects and GEQ Programs, Copy function with selectable parameters
■ Lock with password protection, Fader calibration adjustment and LCD brightness control
■ Gain-sharing automixer
■ Assignable cross-fader
■ 2 line-level inputs
■ TRS inserts on channels 1-8
■ 6 DCA for fader or mute groups
■ 2 internal stereo FX with fully editable reverbs, delay with tap tempo, tremolo, flange, and chorus
■ Dedicated Pan control
■ High resolution delay (0.2mS) on every input, subgroup,AUX, or FX
■ Expander/noise gate on every input and FX channel
■ Compressor/limiter on every input, subgroup, output, and FX channel
■ 4-band parametric/shelving EQ filters plus HPF/LPF on every input, subgroup, output, and FX channel
■ 31-band Graphic EQ on Main, AUX, and Sub Outputs
■ Solo/PFL on every Input, Output, Subgroup, AUX,or FX
■ Stereo main outputs on XLR and phone jack with dedicated level control
■ Headphone and control room outputs with dedicated level controls
■ User presets for DSP channel, GEQ, FX, or scene settings, plus channel copy function
■ Safety/compliance: cTUVus, FCC, RoHS, CE